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Timothée Chalamet (left) and Tyler the Creator in Marty Supreme.

Picture by: TCD Prod.DB | Alamy

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Great cinema — and a personal triumph for Timothée Chalamet. Marty Supreme review

Rating: filled star filled star filled star filled star empty star

Antoni and Tomasz, both 16, review a film that cements Chalamet’s super-star status

When it comes to Marty Supreme, critics and audiences seem to agree on one central point: the film ultimately belongs to its lead actor. Timothée Chalamet delivered the movie’s strongest and most compelling element, anchoring the entire narrative in a character deeply manipulative, morally questionable, and yet strangely magnetic.

Despite his character being an anti-hero rather than classic, positive protagonist, his charisma makes the viewer question the morals of his actions while strangely wanting him to succeed. The film never asks us to excuse the actions of the protagonist, Chalamet’s performance makes it almost impossible not to root for his success.

The tension between moral rejection and emotional investment is the film’s most effective and engaging themes.

Chalamet proved to be a versatile actor, who refused to be boxed into portraying roles of fragile teens and capable of creating a range of very complex and challenging characters. In Marty Supreme, he did not lean into the vulnerability he explored in Call Me by Your Name, Beautiful Boy, or even Bones and All, but went in the direction of his portrayal of Paul Atreides in Dune. His character is cold, controlled, calculating, quietly dangerous – and at the same time charismatic. For viewers already familiar with his filmography, Marty Supreme feels like an extension of his darker, more commanding roles, which showcases maturity and evolution.

Importantly, Chalamet was supported by others, who also left a strong impression – particularly Gwyneth Paltrow, whose character shares a physical and intellectual relationship with Marty. Their dynamic, built on mutual manipulation and material ambition, makes their connection feel both purely transactional and genuinely complex.

The film’s pacing is fast, linking multiple interconnected plot lines that develop quickly but remain surprisingly easy to follow. Visually, the cinematography and direction paint a gritty, imperfect portrait of New York, using muted greens, greys, and blacks while still allowing subtle contrasts to shine through. Complemented by bold costume design and music, blending 1950s settings with energetic 1980s and 1990s influences, the film maintains a relentless momentum that rarely lets up.

Marty Supreme has proven to be a strong commercial performer. The film became the highest-grossing US release in the history of the renowned A24 studio, cashing in, as of February 8, US $147 million ticket sales worldwide – an achievement for an non-mainstream film with a reported budget of US $60-70 million.

Although these numbers mean the film has now roughly broken even, long-term the studio will earn on it. The theatrical success is the result of a well-executed release strategy, overwhelmingly positive word-of-mouth, and certainly a personal triumph for Timothée Chalamet, who was deeply involved in the film’s promotion. His marketing campaign generated numerous viral moments across social media platforms and kept the film’s box office performance high.

Also on the awards front, Marty Supreme has built a considerable momentum. The film secured three Golden Globe nominations and one win – the Best Performance by a Male Actor in a Motion Picture (Musical or Comedy) for Timothée Chalamet. Marty Supreme did well at the Critics’ Choice Awards, with eight nominations and a win for Chalamet as the best actor.

A month before the Academy Awards, Marty Supreme is well-positioned, with nine nominations. Chalamet is certainly a front-runner for the Best Actor statuette, the film’s standing in other categories might depend on whether it will successfully address the controversy surrounding Josh Safdie’s previous project.

Written by:

author_bio

Tomasz Morek

Contributor

Warsaw, Poland

Born in 2009 in Warsaw, Poland, Tomek joined Harbingers’ Magazine to cover the Polish presidential elections.

In the future, he plans to study law or a related field, aiming to explore the intersection of justice and societal development.

In his free time, he enjoys sports, delving into political analysis, and exploring history, with a particular interest in how past events shape modern society.

author_bio

Antoni Popczyński

Contributor

Warsaw, Poland

Born in 2009 in Warsaw, Poland, Antek joined Harbingers’ Magazine to explore topics related to the upcoming Polish presidential elections

His interests include biology and chemistry, which align with his plans to study medicine with a specialization in psychiatry, preferably in the UK.

In his free time, he enjoys listening to Taylor Swift and Lana Del Rey, reading and watching crime fiction, and drinking various kinds of tea.

Edited by:

author_bio

Klara Hammudeh

Politics Section Editor 2025

Warsaw, Poland

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